| 5 WAYS TO GET THE MOST OUT
OF MUSIC LESSONS
These guidelines will help you to have a successful,
rewarding experience learning an instrument. These are practical
tips that we have discovered from years of teaching and our experiences
with teaching hundreds of students each year.
1. HOW YOUNG IS TOO YOUNG - STARTING AT THE
RIGHT AGE
Adults can start any instrument at any time.
Their success is based on how willing an adult is to commit to
practicing. We teach many beginner students in their 60’s
and 70’s.
For children, starting at the right age is
a key element to the success of their lessons. Some people will
tell you “the sooner the better” but this attitude
can actually backfire and be a negative. If a child is put into
lessons too soon they may feel overwhelmed and frustrated and
want to stop lessons. The last thing you want to do is turn a
child off music just because they had one unpleasant experience
which could have been prevented. Sometimes if the child waits
a year to start lessons their progress can be much faster. Children
who are older than the suggested earliest starting age usually
do very well. The following are guidelines we have found to be
successful in determining how young a child can start taking music
lessons.
3 - 4 Years Old
If a pre-schooler has a keen desire and wants to start music,
a group preschool music class will give them a good foundation
in music basics which will be helpful in later private lessons.
At this age, private lessons generally do not work as the child
has not yet experienced the formal learning environment of kindergarten
or school and learns more effectively through the game oriented
preschool environment.
Piano/Keyboard
At our school 5 years old is the youngest age that we start children
in private piano lessons. At this age they have begun to develop
longer attention spans and can retain material with ease.
Guitar - Acoustic,
Electric and Bass
8 years old is the earliest we recommend for guitar lessons. Guitar
playing requires a fair amount of pressure on the fingertips from
pressing on the strings. Children under 8 generally have small
hands and may find playing uncomfortable. Bass guitar students
generally are 10 years old and older.
Voice Lessons
10 years old is recommended as the youngest age for private vocal
lessons. Due to the physical nature of voice lessons (proper breathing
techniques, development of the vocal chords and lung capacity),
the younger body is generally not yet ready for the rigors of
vocal technique. For children younger than 10, we have a children’s
choir (ages 6-9) and a preschool singing program (ages 3-5) that
teaches them how to use their voices properly, in a fun, relaxed
environment.
Drums
The average age of our youngest drum student is 8. This varies
greatly depending on the size of the child. They have to be able
to reach both the pedals and the cymbals.
Flute, Clarinet &
Saxophone
Due to lung capacity (and in the case of the saxophone the size
of the instrument), we recommend that most woodwind beginners
are 9 and older.
Violin
We accept violin students from the age of 5. Some teachers will
start children as young as 3, but experience has shown us the
most productive learning occurs when the beginner is 5 or older.
Trumpet
The trumpet requires physical exertion and lung power. 9 years
and older is a good time to start the trumpet.
2. INSIST ON PRIVATE LESSONS WHEN LEARNING A
SPECIFIC INSTRUMENT
Group classes work well for preschool music
programs, and theory lessons. However, when actually learning
how to play an instrument, private lessons are far superior since
in private lessons it is hard to miss anything, and each student
can learn at their own pace. This means the teacher does not have
to teach a class at a middle of the road level, but has the time
and focus to work on the individual student’s strengths
and weaknesses. For that lesson period, the student is the primary
focus of the teacher. The teachers also enjoy this as they do
not have to divide their attention between 5 - 10 students at
a time and can help the student be the best they can be.
3. TAKE LESSONS IN A PROFESSIONAL TEACHING ENVIRONMENT
Learning music is not just a matter of having
a qualified teacher, but also having an environment that is focused
on music education. In a professional school environment a student
cannot be distracted by t.v., pets, ringing phones, siblings or
anything else. With only 1/2 to one hour of lesson time per week,
a professional school environment can produce better results since
the only focus at that time is learning music. Students in a school
environment are also motivated by hearing peers who are at different
levels and by being exposed to a variety of musical instruments.
In a music school, the lessons are not just a hobby or sideline
for the teacher but a responsibility which is taken very seriously.
4. MAKE PRACTICING EASIER
As with anything, improving in music takes practice.
One of the main problems with music lessons is the drudgery of
practicing and the fight between parents and students to practice
every day. Here are some ways to make practicing easier:
Time
Set the same time every day to practice so it becomes part of
a routine or habit. This works particularly well for children.
Generally the earlier in the day the practicing can occur, the
less reminding is required by parents to get the child to practice.
Repetition
We use this method quite often when setting practice schedules
for beginners. For a young child 20 or 30 minutes seems like an
eternity. Instead of setting a time frame, we use repetition.
For example, practice this piece 4 times every day, and this scale
5 times a day. The child then does not pay attention to the amount
of time they are practicing their instrument, but knows if they
are on repetition number 3 they are almost finished.
Rewards
This works very well for both children and adult students. Some
adults reward themselves with a cappuccino after a successful
week of practicing. Parents can encourage children to practice
by granting them occasional rewards for successful practicing.
In our school we reward young children for a successful week of
practicing with stars and stickers on their work. Praise tends
to be the most coveted award - there just is no substitute for
a pat on the back for a job well done. Sometimes we all have a
week with little practicing, in that case there is always next
week.
5. USE RECOGNIZED TEACHING MATERIALS
There are some excellent materials developed
by professional music educators that are made for students in
a variety of situations. For example in piano, there are books
for very young beginners, and books for adult students that have
never played before. There are books that can start you at a level
you are comfortable with. These materials have been researched
and are continually upgraded and improved to make learning easier.
These materials ensure that no important part of learning the
instrument can inadvertently be left out. If you ever have to
move to a different part of the country, qualified teachers and
institutions will recognize the materials and be able to smoothly
continue from where the previous teacher left off.
Most Importantly . . .
HAVE FUN!!
Music should be something that you enjoy for
a lifetime. So, try not to put unrealistic expectations on yourself
or your children to learn too quickly. Everyone learns at a different
pace and the key is to be able to enjoy the journey.
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